By Joy Sable
Mark Rosenblatt’s work about the children’s author and self-confessed antisemite opens this week
By John Nathan
This slick revival of his 1982 play combines comedy and cleverness in a way that would come across as intellectual show-boating in the hands of a lesser writer
This play shows the humanity and humility of a man devoted to bringing Nazis to justice and sets the record straight about what the word ‘genocide’ means
The dancing lacked sparkle and the footwork was sloppy, but a view to the wings was intriguing
Forty local young people from Jewish, refugee and asylum seeker backgrounds will be performing
By Elisa Bray
Seeing this play in the wake of Britain’s far-right riots gives it added poignancy
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The man behind Why Am I So Single? which opens this week explains why he treats actors like family and never wants to overcharge for tickets
Nathan Englander’s play stars West Wing and Scandal star Joshua Malina in his London stage debut
It is beautifully performed, but this will they, won’t they romance never quite takes off
I talk to Jonathan Salt about his one-man play telling the story of the hero orphanage director Janusz Korczak who tried to preserve the dignity and safety of his charges in the Warsaw Ghetto
By Nicole Lampert
This is a rare example of a West End play driven by intelligent writing and excellent writing, not star power
We ask actor Brady Isaacs Pearce the essential Jewish questions
By JC Reporter
It turns a chorus line into individuals which is exactly the point of Marvin Hamlish’s first musical
As the latest production of the world’s most successful musical opens this week in London, we look back on 60 years of Tevyes
Will Jordan Fein’s new production prove to be a miracle of miracles?
By Jane Prinsley
