Joy Sable

Dance review: Giselle ‘The dancing is beautiful’

Erina Takahashi shines in this ENB production

Dance review: The Nutcracker: ‘An absolute delight’

Cinderella review: ‘a festive treat’

This revamped production of the ballet classic is the happily ever after we need right now

Dance review: Maddaddam: 'This is no easy view'

This is a dark dystopian story based on Margaret Attwood’s trilogy

If only Chris Hoy had been tested in time, as my dear husband was

When the Olympian revealed the sad news he has terminal prostate cancer last week, it felt personal

Dance review: Encounters and Legacy: ‘It’s heartening to see modern works’

Joy Sable didn’t enjoy all the offerings at the Royal Opera House and Linbury Theatre, but a dance critic can’t exist on classics alone

‘We are now dancing to very different tunes’

Israel’s dance companies are still performing for audiences, but they’ve adapted their repetoire to soothe a traumatised nation

Akram Khan’s Giselle review: An outstanding reimagining of a classic

This reworking of the popular classic features mesmerising new choreography and a powerful reinterpretation of the narrative

Two Wonderlands… down very different rabbit holes

Review: Swan Lake: ‘This reworking left me disappointed’

The dancing lacked sparkle and the footwork was sloppy, but a view to the wings was intriguing

Dance review: A tale of two Swan Lakes

How do you revamp a ballet classic? With varying success

Dance review: Ashton is celebrated in style

New productions to remember a great British choreographer