The National Theatre's filmed production of is so good, that it is difficult to imagine it would be better as a live performance
By John Nathan
A show that celebrates the steel city's music and people is worth watching
By The JC
Will theatre post-lockdown be changed forever?
This new musical is fun, but needs work, says John Nathan
With playhouses closed, it took American politics to provide on-screen drama, says our theatre critic John Nathan
This slick rom com is let down by a lack of chemistry
Trump's legacy was hardly one of artistic inspiration, writes John Nathan
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Children need to be protected against Jew hatred, even when it comes from Shakespeare
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