There is much to love about this musical drama
By John Nathan
With a cast of 14, this feels like a return to pre-pandemic theatre
John Nathan finds a view of life after death rather disappointing
This play was written in 1975 - but feels like a work in progress
John Nathan is impressed by Amy Trigg's fizzing one woman show
A vivid picture of Soho in the grips of a deadly disease
A show about refugees which uses tiny hand-made figures is an eye-opener
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Adam Lenson is banging the drum for musical theatre - and he has strong feelings about the way Jews are represented on stage. John Nathan met a man with a mission.
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Shakespeare prompts contemporary questions for John Nathan
The National Theatre's filmed production of is so good, that it is difficult to imagine it would be better as a live performance
A show that celebrates the steel city's music and people is worth watching
By The JC
Will theatre post-lockdown be changed forever?
This new musical is fun, but needs work, says John Nathan
With playhouses closed, it took American politics to provide on-screen drama, says our theatre critic John Nathan
This slick rom com is let down by a lack of chemistry
Trump's legacy was hardly one of artistic inspiration, writes John Nathan