It is impossible to watch this work and not think of the children who were murdered on Black Shabbat
By Joy Sable
‘In the swooping, passionate pas de deux you can see how they both enjoyed extending classical vocabulary in exciting, sensual ways’
Erina Takahashi shines in this ENB production
This revamped production of the ballet classic is the happily ever after we need right now
The organisation claimed external pressures led to the removal of the film
By Ellie Grant
This is a dark dystopian story based on Margaret Attwood’s trilogy
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Joy Sable didn’t enjoy all the offerings at the Royal Opera House and Linbury Theatre, but a dance critic can’t exist on classics alone
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Israel’s dance companies are still performing for audiences, but they’ve adapted their repetoire to soothe a traumatised nation
This reworking of the popular classic features mesmerising new choreography and a powerful reinterpretation of the narrative
Newlyweds reveal how they fused two traditions to create their special day
By Elisa Bray
The dancing lacked sparkle and the footwork was sloppy, but a view to the wings was intriguing
Forty local young people from Jewish, refugee and asylum seeker backgrounds will be performing
It turns a chorus line into individuals which is exactly the point of Marvin Hamlish’s first musical
By John Nathan
How do you revamp a ballet classic? With varying success
