It's an intriguing triple bill
By Joy Sable
The play follows the experiences of a Jewish Viennese family over 50 years
By Tash Mosheim
By John Nathan
To prevent Jews from being represented on stage because they might give succour to Israel’s critics is a cop out
Neil LaBute's play morphs from rom-com into a tense and disturbing power struggle
Triumphant revival of Lloyd Webber musical sees Michael Ball return... but in a different role
By Jonathan Sacerdoti
Martin Sherman's play Rose is not only full of tired stereotypes - it relies on an unforgivable comparison between the IDF and the Nazis
Production of Lynn Ahrens and Stephen Flaherty's tale of two worlds on one island is beautifully sung if a little truncated
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Lenny Henry excels in monologue featuring a 50-something grocer who arrived in England from Jamaica in 1962 but decades later is forced to leave
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The Northern writer's portrayal of Yorkshire life revolutionised drama on the small screen
By Francine White
Hot playwright Ryan Calais-Cameron's latest drama focuses on what went down when America’s first African American Oscar winner was on the cusp of fame
Tour de France champion Gino Bartali's secret missions have now been set to music in London's West End
By Karen Glaser
Maureen Lipman and American playwright Martin Sherman on how the acclaimed actress came to play Rose
By Nicole Lampert
Joyfully told story of Motown band in musical packed with brilliantly performed songs won't disappoint fans
Poland’s Nobel laureate Olga Tokarczuk's eco-thriller is brought to brilliant life in Simon McBurney's production
Current preoccupation with use of terms such as abuse and trauma to describe behaviours that are merely insensitive is ruthlessly exposed in adaptation of Hanya Yanagihara’s novel
'Even seemingly innocuous comments can be harmful when they rely on stereotypes' one audience member complained
