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Film

Film review: Jojo Rabbit

Taika Waititi's satirical comedy manages to be one of the most thought-provoking and disarmingly tender films made on the subject, says Linda Marric

December 31, 2019 11:12
Taika Waititi as Hitler (centre) with Roman Griffin Davis as Johannes "Jojo" Betzler
1 min read

A satirical comedy set in Nazi-era Germany and featuring a comedic version of Hitler was always going to come with its own set of issues. However, despite its decidedly darkly comedic and risqué tone, Taika Waititi's Jojo Rabbit manages to be one of the most thought-provoking and disarmingly tender films made on the subject.

Thor: Ragnarok director Waititi – whose mother is of Jewish descent and father is Maori – went on to win a People’s Choice Award at the Toronto International Film Festival in 2019. The film was later selected to close the UK Jewish Film Festival, which certainly went a long way towards settling any fears over the sensitive nature of its subject.

Opening on a rather daring montage of archival footage of Nazi crowds set to the tune of The Beatles' I Wanna Hold Your Hand, the film centres on Johannes "Jojo" Betzler (Roman Griffin Davis), a ten year old Hitler Youth member living in Nazi Germany with his mother Rosie (an excellent Scarlett Johansson).

Indoctrinated by his peers to hate Jews and worship at the feet of the Führer, Jojo is often seen talking with his imaginary friend, a boisterously childish version of Hitler himself (played by Waititi).