Linda Marric
Linda Marric is a freelance film critic and interviewer. She has written extensively about film and TV over the last decade. After graduating with a degree in Film Studies from King's College London, she has worked in post-production on a number of film projects and other film-related roles. She has a huge passion for intelligent sci-fi movies and is never put off by the prospect of a romantic comedy. Her favourite movie is Brazil.
Dispatches from Amsterdam
Steve McQueen’s new film tells the story of the Holocaust through more than 100 buildings in the Dutch capital
My Name is Barbra review: Streisand’s 1,000-page love letter to herself
The superstar’s mother of all memoirs is hilariously replete with self-congratulation
May December review: The actress obsessed with her subject
Natalie Portman stars in a postmodern horror story where the blurred lines between good and bad slowly become indistinguishable
Exploring the global phenomenon of mail-order brides
Getting Married follows Ukrainian sisters Christina (Lena Fraifeld) and Valeria (Dasha Tvoronovich) who leave their country for arranged marriages in Israel in the hope of a new start
Film review: The Marvels, 'Baffling but hilarious'
This superhero romp has lost the plot
Golda review: Forget Jewface, Helen Mirren can do no wrong
The biopic feels so completely anchored in Israel's national identity
The Creator film review: 'It might even change your mind on the dangers of AI'
See this scifi film on the biggest screen you can
The Lesson review: Not perfect but remains one of the most watchable films of the year
It felt like a real breath of fresh air thanks to its unpretentiously accessible narrative and slow burn qualities
Dumb Money review: Financial drama is good but would be even better had it tackled Jew-hate
Story of how a group of Reddit users banded together to take down Wall Street steers clear of awkward questions about alleged antisemitism of its protagonists - to its detriment
A Haunting in Venice review: Another star studded whodunnit
This latest instalment to the franchise is a superior addition to these modern adaptations of Agatha Christie's most loved work
The Nun II review: Certainly not very scary
There is very little here that we haven’t already seen
Past Lives review: Reunited with her soulmate from Seoul
This touching semi-autobiographical drama is simply sublime from start to finish
The Equalizer 3 review: A rather predictable but surprisingly sober action thriller
The Denzel Washington thriller does exactly what’s expected from it with added gravitas
Passages review: Mesmerising on both gay and straight love
Gay Jewish filmmaker Ira Sachs returns with a mesmerising romantic drama set in Paris
The Blackening review: Playing the race card perfectly
Slasher comedy tackles the question: Why do black characters die before white characters in mainstream horror movies?
Theater Camp review: Ben Platt stars in hilarious mockumentary
They may be predictable but this film is bursting with side-splitting one-liners
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