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Review: Ancient israel

We salute a literary-scriptural enterprise.

July 17, 2014 13:10
'Moses and Joshua descend from the Mount' painted by Arthur A Dixon

ByGabriel Josipovici, Gabriel Josipovici

2 min read

By Robert Alter
W. W. Norton, £15.99

Human beings love stories. But when stories are written down and become important to the community that produced them they start to be scrutinised and questioned, and then a curious thing happens: they lose their magic and become simply the carriers of moral, ethical and metaphysical messages.

Naturally, this is especially likely to happen to works that become the founding religious texts of the community, and it happened, of course, to the Bible, both for Jews and for Christians. Though individuals throughout the ages went on relishing the stories of Cain and Abel, Abraham and Sarah, Joseph, Samson, Saul and David, for their own sakes, as it were, without second thoughts, it has been hard for the community as a whole to shake off the weight of religious and ethical commentary that has grown up around them. But, in the second half of the last century and especially after 1980, a groundswell of academic and semi-popular writing emerged that sought to free the stories from these shackles, not in any anti-religious spirit but, on the contrary, in order to bring out the true complexity and richness of the narrative of the Bible and the narrative that is the Bible.

Chief among these were two books by Robert Alter, a professor of literature at Berkeley, California: The Art of Biblical Narrative (1981) and The Art of Biblical Poetry (1985). In simple and lucid prose, and with the minimum of fuss, Alter deployed his wide knowledge of literature and his inwardness with biblical Hebrew to help us understand the human richness of the Bible, the incredible sophistication of its authors, and the relations of God and man they depicted that were far more complex than most rabbis and theologians (let alone historians and archaeologists) had been willing to acknowledge.