Become a Member
Opinion

From Saul to David, Jews always did a good coronation

Charles will emerge, as did King Saul, no longer the man he was

May 4, 2023 11:45
GettyImages-532088596
LONDON, ENGLAND - MAY 18: Prince Charles, Prince of Wales and Camilla, Duchess of Cornwall sit during State Opening of Parliament in the House of Lords at the Palace of Westminster on May 18, 2016 in London, England. The State Opening of Parliament is the formal start of the parliamentary year. This year's Queen's Speech, setting out the government's agenda for the coming session, is expected to outline policy on prison reform, tuition fee rises and reveal the potential site of a UK spaceport. (Photo by Arthur Edwards - WPA Pool/Getty Images)
4 min read

First Pesach, then Yom Ha’atzmaut, now the coronation. Look at it whichever way you like, life’s just one long Jewish knees-up.

As we’ve got the biggest television, we’re having friends round for the coronation. None of them, as it happens, Jewish. Not deliberate.

It just fell out like that. Those of our Jewish friends who aren’t too frum to watch television on Shabbos are throwing coronation parties of their own or hanging on to see if there’s a belated invitation to the Abbey in the post.

One assures me he’s 19th in line for Harry’s seat in the event of a sudden no-show and his wife is third in line for Andrew’s, so long as she doesn’t mind sitting behind a pillar.

I am looking forward to explaining the essentially Jewish nature of the coronation to our Gentile guests from the relative comfort of our living room, beginning, by way of scriptural hors d’oeuvre, with the Book of Samuel, in fact both Books of Samuel, since each tells a slightly different story. Samuel, anyway, is where it all starts.

Though Jews made up only a small minority in the grammar school I attended, they were everywhere in the literature we read, whether as child-killers in Chaucer’s Prioress’s Tale or as poisoner, sensualist, traitor and stand-up comedian in Marlowe’s The Jew of Malta, or as putative terrorist in Milton’s Samson Agonistes.

More than that, the Jew figured frequently in our anthologies of 17th-century poetry, now as a measure of obloquy, as in Donne’s “Spit in my face, you Jews”, now of obduracy, as in Marvell’s poem of sexual microaggression, “To His Coy Mistress”, where the lady’s determined resistance to the poet’s overtures is compared to the Jews’ unwillingness to convert to Christianity.

But more telling about the way Jews went on haunting the English imagination, even long after their expulsion from the country, was the Jewish precedent of blessing, anointing and crowning, which we uncovered when we studied the concept of the Divine Right of Kings in Shakespeare.