The non-Jewish playwright teaching Edinburgh Fringe audiences about antisemitism

I talk to Jonathan Salt about his one-man play telling the story of the hero orphanage director Janusz Korczak who tried to preserve the dignity and safety of his charges in the Warsaw Ghetto

Farm Hall review: ‘an absorbing thriller’

This is a rare example of a West End play driven by intelligent writing and excellent writing, not star power

Israeli theatre company The Train Theatre nominated for two Offie awards

Once Upon a World is the most popular production from the puppet troupe and came to JW3 in July

‘Joining the cast of Cable Street is a dream!’

We ask actor Brady Isaacs Pearce the essential Jewish questions

South Asian-Jewish actor brings representation to football in ENG-ER-LAND

Nikhita Lesler plays a young mixed race football fan in the latest rendition of Hannah Kumari’s one-woman play

Why is the National Theatre staging a play with antisemitic tropes on October 7?

Putting on the Lehman Trilogy while the rest of us are marking Oct 7 shows the National Threatre doesn't care about Jews

Your Lie In April, review: Manga on the stage in this tale of high school violinists

Edinburgh festival: The Jewish back story to its most controversial play

Meet the writer behind a work of satire about the trans-culture wars

‘As an Israeli, I felt really unsafe in the creative industry’

Neta Gracewell is bringing ‘a dark feminist comedy’ to the Camden Fringe

Theatre review: Slave Play, ‘An evening primed to cause tension and offence’

Viewing this play through a Jewish lens you can see the disconnect that can form between two loving people with different histories, says John Nathan

The Israeli puppeteers working with children devastated by October 7

Ahead of their London shows, meet the troupe behind an uplifting puppet show

The Marilyn Conspiracy review: An evening of ... conspiracies

Kiss Me, Kate review: this kissing lark is all in the line of duty

English review: I think this classroom drama could try a little bit harder

A View From the Bridge review: bridge in the shadow of a Miller classic

Theatre review: Romeo and Juliet, ‘A muscular and modern take on Shakespeare.’