Brighton theatre doubles down on play inspired by poet who called Jews ‘evil’
Theatre promises to ‘reflect’ after youth production sparks fierce row
The Producers review: ‘an edgy revival with a heimishe soul’
In this terrific show, Andy Nyman plays a sweeter version of Mel Brooks’s greatest creation Max Bialystock
Ballet Shoes review: ‘everything a family show should be’
The first major stage adaptation of Noel Streatfeild’s children’s classic is superb
‘Why I’m playing Fagin in a yarmulke’
Simon Lipkin is about to fulfil a boyhood dream playing the child-grooming thief in the West End. He explains what attracts him to a role widely seen as antisemitic
Royal Court theatre which sparked ‘Hershel Fink’ row is reported for Palestine badges on staff
UKLFI has accused the theatre of creating a hostile environment for Jewish visitors
‘You need to know about evil to play the Happiest Man on Earth’
Acclaimed American actor Kenneth Tigar on why he was attracted to the challenge of playing a Holocaust survivor who spent the rest of his life preaching peace
The Happiest Man On Earth review: ‘epic yet intimate’
Performed with zest and humility, this one-man play shows the world what the world genocide actually means
Barcelona review: ‘Lily Collins has the acting chops to fill a stage’
The Emily in Paris star acquits herself well in her stage debut
The Curious Case of Benjamin Button review: ‘nothing else like it in the West End’
This musical adaptation of F Scott Fitzgerald’s short story is right on the button
Reykjavik review: “brimful of humanity and grief”
This beautifully balanced play gives an overlooked part of our martime nation’s culture its due
Support venues that aren't boycotting Jewish creatives, says Tsitsit director
This year’s Jewish fringe is more reflective than previous programmes, says festival leader
Dr Strangelove review: ‘Coogan is bang on the button’
The actor is priceless in this timely revival of Stanley Kubrick’s classic nuke comedy
Almeida Theatre 1950s double bill: ‘An angry return to the kitchen sink’
Arnold Wesker’s Roots has been paired with John Osborne’s Look Back in Anger –eight decades on the East End Jewish playwright emerges as the more potent dramatist by far
What We Talk About When We Talk About Anne Frank review: ‘a play as Jewish as they come’
This quintessentially Jewish work tackles the inherited trauma of the Holocaust and is also a really smart and funny comedy
‘My own breakup inspired my sweet and sinister LGBT comedy’
Israeli playwright Gur Piepskovitz’s upcoming work explores themes of otherness and self-discovery
What Nathan Englander talks about when he talks about his Anne Frank play
The American writer on the Patrick Marber-directed stage adaptation of his 2011 Pulitzer-finalist short story ahead of its UK premiere
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