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You have a key role in preserving our heritage

Historic England has an online tool for recording the Jewish stories of noteworthy buildings

September 9, 2021 09:49
Soup_Kitchen_For_The_Jewish_Poor_on_Brune_Street
Soup Kitchen For The Jewish Poor, Brune Street
2 min read

September is a good time to think about Jewish heritage. The High Holydays allow us to contemplate our spiritual heritage — and the B’nai B’rith UK Culture and Heritage Days encourage us to celebrate the material dimensions of our heritage as British Jews today. With this in mind, it seems a good moment for Historic England — the public body that looks after our country’s historic environment — to ask British Jews to think, for a moment, about the buildings and places they know and love, and to share what they know with others.

The National Heritage List for England, maintained by Historic England, is a register of the buildings and places we value most. It is governed by rules but it hasn’t evolved systematically. Not all the entries are equivalent because they were written in different ways, for different reasons, at different times. For this reason, the List is itself an important historical record. It is an expression of our collective identity as a society, and because it is constantly changing, it also reflects the ways in which that identity continues to evolve. In this sense, it tells us as much about the present as it does about the past.

A few years ago, when I typed the word ‘Jewish’ into the List database, I was disappointed — and frustrated — by what I found. Most of the entries seemed to be synagogues and cemeteries. Only a few entries spoke to the urban past of Britain’s Jewish community, like the Soup Kitchen for the Jewish Poor in Bethnal Green (listed 1989) or Stepney Jewish Primary School (listed 1973).

Some of these buildings had interesting stories to tell. For example, 88 Whitechapel High Street (listed 1989) had been successively the offices of the Jewish Daily Post, and the premises of Alberts Menswear, a Jewish clothing business. Its intriguing exterior, which features a Magen David with a Menorah and two Lions of Judah rampant, was designed by Arthur Szyk, a Polish-Jew who became one of America’s leading political artists during the Second World War.