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Miriam Margolyes, Reginald D Hunter and the myth of respectable anti-Zionism

The pair have both become embroiled in scandals of their own making

August 20, 2024 16:14
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LONDON, ENGLAND - JULY 07: Actress Miriam Margolyes attends the World Premiere of Harry Potter and The Deathly Hallows - Part 2 at Trafalgar Square on July 7, 2011 in London, England. (Photo by Ian Gavan/Getty Images)
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I’m sure there’s such a thing as a respectable anti-Zionist, it’s just I’ve never met one. I’ve listened to them. Sometimes I buy them lunch. It’s not just morbid curiosity, because I have a question: what will happen to the seven million Jews in Israel when it is gone? I have never received a satisfactory answer, though one member of Jewish Voice for Labour, over tea in the British Library, suggested a “rainbow nation”. I was grateful. Usually, even the question wounds them.

For me, anti-Zionism is almost always antisemitism because they do not answer this question. They do not care, because they look past the conflict to ghosts they cannot see. I am indulgent of those who don’t believe in nation states but seem quite happy with university tenure in secure liberal democracies – gah, Marxists! – but no one else. Last week, two artists gave evidence of the antisemitic nature of anti-Zionism. They fell in head-first.

The first was Miriam Margolyes, actress, daughter of a Jewish doctor and famous anti-Zionist. I met Miriam for a profile in 2020 and I liked her very much, but that was before the war. Rather shamefully, because I liked her, I dismissed her anti-Zionism by writing that I didn’t want to interview the Caramel Bunny about Palestine. I liked her because I recognise Miriam, and the cold, class-ridden city that made her (Oxford), and I recognise what I think is her projected shame, which I felt too, until I grew up.

I recognised her unease in her own body – I share that too – which seemed acute, even for an actress. I know how gifted she is – her performance in The Age of Innocence is bewitching, though it took Martin Scorsese to tear it from her – and how swift she is to defame that gift, to deny it and to send it away with pre-emptive self-mockery. All this touched me. Margolyes could have been the greatest actor of her generation but that idea didn’t sit well with her. I understand that, too. Margolyes is a British Jew like us and I admired and pitied her until – in my view, she will disagree, of course – she put British Jewish children at material risk. You cannot be a wounded child all your life, no matter your gift. You must take responsibility. Margolyes is 83.