Become a Member
Opinion

How Britain’s young academics became so deeply radicalised

Lecturers know they are reliant for their future on the support of colleagues so they do not dare to step beyond the consensus, meaning that self-censorship becomes the norm

October 14, 2021 16:29
CHAIR_102_Unit_01142R
THE CHAIR (L to R) SANDRA OH as JI-YOON in episode 102 of THE CHAIR Cr. ELIZA MORSE/NETFLIX © 2021
3 min read

To understand why freedom is in danger in Britain’s universities, study Netflix alongside the works of John Stuart Mill and John Milton. The streaming service may not be an authority on liberal philosophy but its dramas understand there is no point in having freedom of speech unless you have the capacity to use it.

The Chair is a light comedy about the first woman to run the English department of an American university. The academics she must work with are ancient lecturers who bore their students rigid. She cannot get rid of them and bring in better teachers because the old timers have tenure. The exception is Yaz. She is dynamic and inspiring. The students love her. But because she does not have tenure, Yaz is at her elders’ mercy, and must pander to their wishes until they grant her coveted job security.

In an early scene, Yaz and a doddering professor are giving a class together. The dodderer passes Yaz papers to hand out to the students, as if she were a secretary rather than a scholar and teacher in her own right.

Because Yaz needs his approval if she is ever to receive tenure, she bites her lip and accepts the menial task.