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The geniuses who quietly built up British businesses

Throughout its history, the Jewish Chronicle has maintained an almost shy approach to finance and business, but the remarkable contribution made by Jewish Britons in these fields cannot be ignored

September 29, 2022 12:37
Tim Steiner GettyImages-475249370
LONDON, UNITED KINGDOM - MAY 28: Tim Steiner and friend attend the opening of House of Elemis, Mayfair's only couture beauty house on May 28, 2015 in London, England. (Photo by Nicky J. Sims/Getty Images for Elemis)
4 min read

When, at the height of the BHS pension fund scandal in 2017, the Jewish Chronicle chose to run my adverse commentary on the business activities of Sir Philip Green right across the front page, it was a seminal moment.

The JC, from the day it was founded 180 years ago, has maintained an ambivalent, almost shy, approach to finance and business.

The long association of Jews with finance, dating from the new freedoms provided by the Enlightenment in the late 17th century, has made Jewish newspapers and journals reluctant to recount the disproportional triumph of their fellow citizens in commerce.

There long has been a fear of feeding the stereotypes of Jewish bankers (and media moguls) running the world.

As an infamous 1841 tract by Alexander Weill put it, just as the first editions of the JC were rolling off the presses: “There is but one power in Europe and that it is Rothschild. His satellites are a dozen other banking firms; his soldiers his squires, all respectable men of business and merchants; and his sword is speculation.”

This toxic image of Jews in business is still as pervasive in the 21st century as it was when it was written.

At the height of the financial crisis of 2007-09, an article in Rolling Stone magazine reached back to an image first perpetuated by the notorious antisemite “Coin” Harvey by invoking the vision of global investment bankers Goldman Sachs as a great blood sucking “vampire squid”.

Former Labour leader Jeremy Corbyn appeared to approve such a narrative when he endorsed the mural Freedom for Humanity by American artist Mear One in September 2012.

It depicted tycoons of Jewish appearance playing a high-stakes game of cards on a table made up of the backs of the poor and oppressed.

A combination of the general reticence of British Jews to draw attention to themselves together with fear of feeding longstanding tropes made the whole practice of reporting on Jews in business perilous.