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Obituaries

Obituary: Michael Freedland

Legendary journalist and biographer who always had a Jewish story to tell

October 11, 2018 08:29
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By

Jonathan Freedland,

Jonathan freedland

4 min read

For a generation of British Jews, his was the voice of Sunday morning. Over the best part of a quarter century, a fixed point in the Anglo-Jewish week was 9.30am on a Sunday, when BBC Radio London would broadcast the opening notes of that unmistakable violin melody from Fiddler on the Roof, soon giving way to the voice of Michael Freedland as he introduced the latest edition of You Don’t Have to be Jewish.

Over the course of an hour, Freedland, who has died at age 83, would report on “the world through Jewish eyes, but not necessarily for Jewish ears,” as the weekly billing in the Radio Times put it. The programme, which debuted in 1971 and whose unbroken run ended in 1994, might lead with an interview with an eminent Israeli politician – every prime minister from Golda Meir to Binyamin Netanyahu appeared – or a report from a far-flung corner of the Jewish world, or a guide to an upcoming festival. Jewish novelists, artists, comedians and musicians would appear, but only once they had cleared Freedland’s key editorial hurdle: the mere fact of being Jewish was not enough – they had to have a Jewish story to tell.

Before long, the programme had become an established part of Jewish life, taking its place alongside the Jewish Chronicle as the dominant forum for communal discussion, some of it vexed and heated. It was on YDHTBJ, as it became known, that two rabbinic regular contributors squared up against each other, as Orthodoxy’s Cyril Harris told Reform’s Hugo Gryn –- already emerging as Britain’s best-known Holocaust survivor ––“There are Reform rabbis who don’t known an aleph from a swastika.”

Freedland was insistent the programme should not be parochial. He would explain that Jews in Hendon were not especially interested in a synagogue bring-and-buy sale in Edgware, but that Jews in both places were passionately interested in the wider Jewish world. And so he adopted a format loosely modelled on Radio 4’s The World at One, as he broadcast live coverage of, say, the Entebbe hostage rescue of 1976 or travelled to Moscow and what was then Leningrad to make undercover recordings of his encounters with refuseniks, Soviet Jews denied exit visas to Israel.