Become a Member
Obituaries

Herbert Kretzmer

Acclaimed theatre critic, and lyricist who could “hear the people sing”

December 4, 2020 16:04
Herbert Kretzmer  GettyImages-480232313
4 min read

I was born under a rhyming planet,” the lyricist and journalist Herbert Kretzmer, once told The New York Times. “I had a knack — I was grateful for it. I tried to play by the rules: no false rhymes, and avoid a cliché like the plague.”

Whatever star Kretzmer was born under, the constellations were clearly aligned in his favour. Nothing seemed retrograde in his chart. He was the theatre critic who could make or break a show’s reputation with a flick of the mouse (or the typewriter, in his day). But he was also the award-winning lyricist who lifted Les Misérables out of the doldrums in Paris and into long-running international fame in London’s West End. Apart from a break imposed by the pandemic it remains the capital’s longest running West End musical. But he could not have imagined that Victor Hugo’s 19th century revolutionary cry at the barricades against poverty and injustice, transformed into his memorable lyric — Do you hear the people sing?/Singing a song of angry men –— would earn him $20 million in royalties for turning a disregarded French musical into an international blockbuster.

https://api.thejc.atexcloud.io/image-service/alias/contentid/173l4062hgm4r1tjctp/image_CharlesAznavourtalkswithjournalistandlyricistHerbertKretzmerGettyImages-3064564.jpg?f=3x2&w=732&q=0.6

Kretzmer, who has died aged 95, achieved earlier lyrical success. He co-wrote with Charles Aznavour the dreamily nostalgic She for the 1974 TV series, Seven Faces of Woman, a No 1 hit for four weeks, and the North American hit, Yesterday When I Was Young for Roy Clark. But he played another award-winning role as the Daily Mail’s theatre critic, one of the urbane and witty bunch of Jewish writers working in Fleet Street in the ’60s and ’70s, including Bernard Levin, Milton Shulman, Robert Muller, Clive Hirschhorn, and the JC’s own David Nathan. News was imprinted in his blood. He described himself as a newspaperman first and a lyricist second. Indeed, his TV criticisms in the Mail won him two national press awards, including TV Critic of the Year in 1980.