Westworld season four TV review: A robot saga springs to life and it’s a late miracle

Resurrection may not be a particularly Jewish tenet, but we can certainly appreciate a miracle like the best of them, and a resurrection is exactly what’s happened with season four of HBO’s Westworld shown here on Sky Atlantic.

As a lifelong television addict I’ve never seen this phenomenon occur before. There’ve been plenty of shows that start out great, then fail to capitalise on their strong first seasons and crash and burn. But somehow in this instance, just at the point of giving up, just as my faith trickled out, it pulled a narrative magic trick and is up and running stronger than ever.

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Aaron Paul and Thandie Newton

I don’t think it’s too much of a spoiler to mention timelines, especially if you recognise a surname amongst the husband and wife creator/writers, Jonathan Nolan and Lisa Joy. Brother of Christopher Nolan, and involved in both Memento and Interstellar, you’ll know that tricksy mind-bending jumping about is a bit of a signature device. But that’s far from the only enchantment they’ve got hidden up their sleeve.

Based on the 1973 film of the same name, the story starts in a wild west theme park in 2050. Those who can afford it direct their basest desires, sometimes for physical or sexual violence, sometimes to be a saviour, at the park’s ‘Hosts.’

Essentially robots, damaged or killed hosts are healed and their memories wiped, before being returned to their roles in various narratives created for the visitors.

Inevitably the hosts achieve consciousness and start to rebel — you’d think someone in the future might have seen The Matrix or Terminator — but it grips your attention exploring the whys and whos and whens, as questions of self-knowledge, self-awareness, and self-governance swirl about.

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Tessa Thompson and Evan Rachel Wood