For the Oscar-winning Parasite director’s latest film think Dr Strangelove aboard an intergalactic ship
March 6, 2025 16:53If escape from our real world existence is what you most want from science fiction movies then be warned. This one from Korean director extraordinaire Bong Joon Ho has plenty to remind you of
Earth even though it is set mostly on an intergalactic ship and the frozen planet to which it is transporting a colony of humans.
So desperate is failed entrepreneur Mickey Barnes to leave our planet and thus escape chainsaw-wielding lone sharks, he jumps the queue of fellow do-or-die Earth-leavers by signing up as the community’s one and only “expendable”, a disposable clone worker.
“You read through the paperwork?” asks a functionary. “Yeah,” says Robert Pattinson’s dozy Mickey, who has read neither the large nor the small print. He then signs the contract and dutifully dies thereby allowing his second iteration to be 3D printed into life with memory intact.
He is now the useful idiot available for extremely painful life-ending risks and research on an intergalactic ship populated by humans ruled by Mark Ruffalo’s failed politician Kevin Marshall and his grotesquely cruel Lady Macbeth of a wife (Toni Collette) who plays Gwen Johansen.
It is here, in his first movie backed by a Hollywood studio, that Boon (the man behind the Oscar-winning Parasite) collides the genres of sci-fi with political satire. Or at least Ruffulo’s self-styled emperor does with a performance that has the teeth of the vaccine-hating American health secretary Robert F Kennedy and the voice of his boss. As Marshall prepares a genocide of his new planet’s indigenous creatures, we are suddenly in the realm of fascist nation-building.
The pitch here is dark comedy, yet Pattinson’s Mickey is infuriatingly docile as a lead character. The worm only begins to turn when he accidentally lives and meets his assertive alter ego, number 18 (also Pattinson, of course). It is hard to see what Naomi Ackie’s can-do security guard sees in either of them.
The film has a whiff of Dr Strangelove though the satire is not as deadly. It probably wasn’t intended to be. But with Trump now chairman of the Kennedy Centre culture hub because he didn’t like the programming, how long before the White House targets liberal Hollywood?
Film: Mickey 17
Cert 15
★★★★