I’m an empathetic human communicator and collaborator. I speak English, Spanish, and French, plus some German and Japanese. And I bring cross-cultural experience living in my home of London, Tokyo, Buenos Aires, Berlin – and now Brussels.
I graduated in English Literature at Cambridge University. But prior to that I learned youth leadership through my teens. I ran a nationwide youth movement at 21, for thousands of youths. I then toured the UK giving workshops at schools for all ages and backgrounds, learning how to engage wildly diverse young people and spur them to action.
I wrote as journalist and brand copywriter, while editing prominent city magazines in Buenos Aires, Tokyo, and Berlin. Finding characters, stories, and talent became second nature. In Japan the national broadcaster NHK invited me on board to write, edit, and direct TV documentaries.
In parallel I have made my own films, starting with a documentary hunting for a rumoured Holocaust survivor on a remote island at the end of the world. My output includes narrative, music videos, video art, and documentaries, such as REOPENING, a Europe tour at the end of the first COVID lockdown, interviewing diverse people about borders and identity.
Back in London I delved more into brand work, as copywriter on briefs for top global brands like Lipton, Flora, Dove, and more. But when Brexit and Trump happened I decided to do more to boost humanity and empathy.
That’s why in Berlin I founded Good Point – an ethical storytelling agency helping changemakers boost impact. Visit Good Point here.
Art and empathy are key to moving hearts. A Berlin artist collective I set up united artists from all over the world – Palestine and Israel, Vietnam and Colombia, Germany and Turkey – to co-create stories about the living city.
Sharp, friendly, and seriously fun, I build powerful relationships quick, to help people and organisations find their electrifying stories. My watchwords are humanity and joy. My focus is faciltiation, workshops, performance, and coaching. Inquiries welcome!
","image":"https://api.thejc.atexcloud.io/image-service/version/c:ZTQ1OTRhYTgtNmI3YS00:MDNmYzk1ZDAtZmRmOC00/image.webp","jobTitle":""},"datePublished":"2022-09-24T20:13:16.200Z","dateModified":"2022-09-24T20:13:16.200Z","keywords":["Holocaust","Family"],"articleSection":"Life","articleBody":"\"Many years later the boy was no longer sure what was true or imagined. He could only feel pain, anger and sadness.” So writes Jack Santcross, who survived the Nazi concentration camp of Bergen-Belsen as a child. His words brought home to me how my father — another child survivor – must have struggled even to identify the trauma driving him uncontrollably to a tragic end. As I approached my 40th birthday in 2019, I had my latest mid-life crisis. Emotionally paralysed, I saw my late father hanging over me. Musci Marcello Labi had a Jewish family, a big house and a successful business, by my age… I was failing to live up to his values. On the other hand, he later declined into financial disaster, depression, ill-health, and death. But that made me feel even worse. Was I doomed to suffer the same fate? In addition, there were many unanswered questions about a life that had featured globe-trotting, casinos, secret agents, Russian gangsters — even an unexplained bomb in Stanmore. I had to explore his story before it was too late. In Israel, I interviewed his sister — my aunt, whom I hadn’t seen for 16 years. In London, Toronto, and Rome, I harrassed other family and friends. A project that began as a podcast became a book, then a film, and finally a one-man stage show called Pieces of Man. I wrestled to confront my father’s story — and my own. A Libyan-Italian Jew born in 1938, Musci Marcello Labi lost his father and was taken with his mother and sister across seas and up mountains. Captive, he saw snow for the first time. And he survived the stupefying horror of Bergen-Belsen. Just one small human amid millions targeted by the Nazis’ exterminating drive. Post-war, he moved to Israel where he constructed a powerful alpha-male personality to conceal the terrified boy who must have remained inside. Marcello was so forceful, so funny, so temperamental, so present — that it was hard for me to understand how much his every move must have been governed by that pain, anger and sadness. As I grew up in London, my father seemed from another world. He had different ways of speaking and thinking — and my education drove me further away. I defined myself in opposition to him, and avoided him when he most needed support. When he died in 2003 — I was 22 — I acquired a burden of guilt to carry far beyond his death. Creating and performing his story has helped me deal in some way with this complex legacy. To make him live on —not just his difficult aspects, but his creativity, his brilliance, his warmth. And to deal in some way with the trauma he was unable to confront himself. It’s important for us — all of us — to break the cycle of pain, anger, and sadness. The cycle of trauma. You don’t have to be the child of a Holocaust survivor to face a heavy legacy. But you do have to look into the darkness — so you can find the light. David Labi’s Pieces of a Man is showing at Camden People’s Theatre for one night on September 29. cptheatre.co.uk","hasPart":{"@type":"WebPageElement","isAccessibleForFree":false,"cssSelector":".paywall"}},{"@context":"https://schema.org","@type":"BreadcrumbList","itemListElement":[{"@type":"ListItem","position":1,"item":"https://www.thejc.com","name":"The Jewish Chronicle"},{"@type":"ListItem","position":2,"item":"https://www.thejc.com/life","name":"Life"},{"@type":"ListItem","position":3,"item":"https://www.thejc.com/life/dads-legacy-of-trauma-gn7j9vs7","name":"Dad’s legacy of trauma"}]}]
"Many years later the boy was no longer sure what was true or imagined. He could only feel pain, anger and sadness.” So writes Jack Santcross, who survived the Nazi concentration camp of Bergen-Belsen as a child. His words brought home to me how my father — another child survivor – must have struggled even to identify the trauma driving him uncontrollably to a tragic end. As I approached my 40th birthday in 2019, I had my latest mid-life crisis. Emotionally paralysed, I saw my late father hanging over me. Musci Marcello Labi had a Jewish family, a big house and a successful business, by my age… I was failing to live up to his values. On the other hand, he later declined into financial disaster, depression, ill-health, and death. But that made me feel even worse. Was I doomed to suffer the same fate? In addition, there were many unanswered questions about a life that had featured globe-trotting, casinos, secret agents, Russian gangsters — even an unexplained bomb in Stanmore. I had to explore his story before it was too late. In Israel, I interviewed his sister — my aunt, whom I hadn’t seen for 16 years. In London, Toronto, and Rome, I harrassed other family and friends. A project that began as a podcast became a book, then a film, and finally a one-man stage show called Pieces of Man. I wrestled to confront my father’s story — and my own. A Libyan-Italian Jew born in 1938, Musci Marcello Labi lost his father and was taken with his mother and sister across seas and up mountains. Captive, he saw snow for the first time. And he survived the stupefying horror of Bergen-Belsen. Just one small human amid millions targeted by the Nazis’ exterminating drive. Post-war, he moved to Israel where he constructed a powerful alpha-male personality to conceal the terrified boy who must have remained inside. Marcello was so forceful, so funny, so temperamental, so present — that it was hard for me to understand how much his every move must have been governed by that pain, anger and sadness. As I grew up in London, my father seemed from another world. He had different ways of speaking and thinking — and my education drove me further away. I defined myself in opposition to him, and avoided him when he most needed support. When he died in 2003 — I was 22 — I acquired a burden of guilt to carry far beyond his death. Creating and performing his story has helped me deal in some way with this complex legacy. To make him live on —not just his difficult aspects, but his creativity, his brilliance, his warmth. And to deal in some way with the trauma he was unable to confront himself. It’s important for us — all of us — to break the cycle of pain, anger, and sadness. The cycle of trauma. You don’t have to be the child of a Holocaust survivor to face a heavy legacy. But you do have to look into the darkness — so you can find the light.
David Labi’s Pieces of a Man is showing at Camden People’s Theatre for one night on September 29.