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As Long As We Are Breathing review: ‘poignant but not enough punch’

The message that it is possible to replace trauma with inner peace is reassuring, but it is prioritised over the drama of Holocaust survivor Miriam Freedman’s story

February 6, 2025 13:37
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Hidden treasures: Caroline Gruber as Miriam Freedman in her eighties Photo: Arcola Theatre
1 min read

We could all learn from Miriam Freedman. Having survived the Holocaust, sometimes by hiding in an impossibly cramped basement as Nazi soldiers searched the building, Freedman found a way of exorcising the bitterness of that experience rather than carrying it with her for the rest of her life.

Her route to this healing was meditation, a practice that begins this gentle testimony play by Diane Samuels who is best known for the huge hit Kindertransport.

In Ben Caplan’s chamber production there are two Miriams. One is is our narrator, a welcoming lady in her late eighties played by Caroline Gruber. The other is a younger vivacious version of our heroine, played by Zoe Goriely who, with onstage musician Matthew James Hinchliffe, conveys the harrowing and healing events described by her older self.

Matthew James Hinchliffe[Missing Credit]

Miriam’s idyllic childhood in a Czech Orthodox Jewish family is ripped apart by anti-Jewish laws that force the family out of their Bratislava home and to the town Nitra where Miriam hides with her mother and her four sisters.

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Theatre