The producer of the new trilogy of plays Joyfully Jewish explains why she put out a call for scripts with ‘no war, no antisemitism and no trauma’
This musical adaptation of F Scott Fitzgerald’s short story is right on the button
This beautifully balanced play gives an overlooked part of our martime nation’s culture its due
This year’s Jewish fringe is more reflective than previous programmes, says festival leader
Playwrights are these days holding a mirror up to Britain as if it were a patient breathing its last
Joy Sable enjoys a celebration of a huge talent
Vulgar and sexist, but a monster hit of a musical.
The controversial Gaza play lacks the complexity to portray the Israel-Palestinian conflict fairly
John Nathan finds a message for our times in a modern dress King Lear
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