The producer of the new trilogy of plays Joyfully Jewish explains why she put out a call for scripts with ‘no war, no antisemitism and no trauma’
This musical adaptation of F Scott Fitzgerald’s short story is right on the button
This beautifully balanced play gives an overlooked part of our martime nation’s culture its due
This year’s Jewish fringe is more reflective than previous programmes, says festival leader
A ruthless asset-stripper is centre stage
Family troubles
How did John Nathan end up leading Russian revellers in the hora at a Moscow nightclub? Read on...
This haunting story of betrayal always packs a punch
Annie Baker's new play is a masterpiece, says our critic
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