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The Brutalist director on why he made a film now set for Oscar glory

Brady Corbet’s new movie stars Adrien Brody as a mid-century designer and a Shoah survivor and pays tribute to the beauty of architecture, a discipline rarely celebrated on the screen

January 22, 2025 17:37
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Design matters: Adrien Brody as the fictional Bauhaus school architect László Toth
4 min read

László Tóth, the character at the heart of Brady Corbet’s monumental new film The Brutalist, is not real. But it’s a film so convincing, you’ll be googling him straight afterwards. “There are many László Tóths. It’s like John Smith,” smiles Corbet when we meet in London’s Soho Hotel. But simply choosing a common name – one shared by a famed geologist and also a Hungarian football star to name but two – does not make his Tóth a common man.

Brady Corbet at the 2025 New York Film Critics Circle Awards Photo: GettyGetty Images

Played impeccably by Adrien Brody, in a role reminiscent of his Oscar-winning turn in Roman Polanski’s The Pianist, Tóth is a Hungarian-Jewish Holocaust survivor who arrives in America after the war to find work as an architect. “He’s an amalgamation of Paul Rudolph and Marcel Breuer and many of the mid-century designers,” explains Corbet, who crafted the story with his wife Mona Fastvold, who also co-scripted Corbet’s earlier films The Childhood of a Leader (2015) and Vox Lux (2018).

Tóth is a proponent of Brutalism, the minimalist style of architecture that took shape during postwar reconstruction, and trained at the Bauhaus, the school of design established by Walter Gropius in Germany in 1919. “I mean, it was predominantly central and eastern European Jews who were at the Bauhaus,” says Corbet, 36.

Adrien Brody[Missing Credit]

“On top of the countless lives lost in the war, I also was reflecting so much on the livelihoods that were lost and the work that was lost, and the projects out of the Bauhaus that were never realised. And there was something about that that I found quite devastating.”