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Opinion

Primo Levi was right when he said it happened, so it can happen again

Eisenhower visited the concentration camp at Ohrdruf so that he would be able to challenge anyone who labelled the Holocaust as ‘propaganda’ — a word that is once more being used

November 2, 2023 11:44
Ohrdruf Fire
3 min read

On 12 April 1945, the Supreme Commander of the Allied Forces, General Dwight Eisenhower, visited the concentration camp of Ohrdruf, the first German camp to be liberated by US troops. Eisenhower described the “visual evidence… of starvation, cruelty and bestiality” as so overpowering, that “it left me physically sick”. Then Eisenhower added something highly significant. “I made the visit deliberately,” he said, “in order to be in a position to give first-hand evidence of such things, if ever in the future there develops a tendency to describe such events as mere ‘propaganda’.”

As a people, we are currently living through a cauldron of emotions. Shock, pain, anger, disbelief. Shock and pain at the horrific massacre of our people — and anger and disbelief at the increasingly unsupportive reaction of much of the world to Israel’s fight for its very existence. Even worse are moves to somehow contextualise the slaughter in terms of the Israeli-Palestinian conflict.

Our initial reaction is to respond to all this with emotional outrage. But in wartime, facts matter. Without facts — and the accurate transmission of those facts — shock quickly fades, as the innate human incredulity that such things could have actually transpired begins to take hold. 

For the shocking truth is that even in those first months after the liberation there were people who began to develop that very tendency towards “propaganda” that Eisenhower was afraid of. One reaction to a screening in London of the shocking newsreel footage of Bergen Belsen made by the British Army was as follows: “The atrocity film was followed by a Walt Disney — Donald Duck — people are laughing again within a minute. And its all mixed up with a propaganda film about noble London… it felt as if the whole show was propaganda.”