Linda Marric
Linda Marric is a freelance film critic and interviewer. She has written extensively about film and TV over the last decade. After graduating with a degree in Film Studies from King's College London, she has worked in post-production on a number of film projects and other film-related roles. She has a huge passion for intelligent sci-fi movies and is never put off by the prospect of a romantic comedy. Her favourite movie is Brazil.
Film review: Blonde - Tragic downfall of a Hollywood plaything
Forget the accusations of cruel exploitation, Andrew Dominik's portrayal of Marilyn Monroe feels more like an art project than a straightforward biopic
Film review: The Woman King - Warrior epic is a masterpiece
Viola Davis stars as the leader of a group of female liberators taking on evil slave traders in 19th century Africa
Film review: Mrs Harris Goes to Paris - A return trip to the French capital for some fashion and fun
Lesley Manville heads a stellar European cast in this charming period-drama comedy
Film review: Smile: 'Fresh and original'
A filmmaker star is born
Don't Worry Darling Film review: Great film, shame about Styles
Former One Direction star is sadly the weakest link in a movie full of intrigue, heightened paranoia and 50s nostalgia
UK Jewish film festival is back in-person and bigger than ever
The festival will be presenting four exclusive Gala screenings with Moshe Rosenthal’s fantastic offbeat comedy Karaoke acting as the festival’s opener
Funny Pages film review: A quirky East Coast comedy is a true diamond in the rough
Young filmmaker Owen Kline has written a selection of characters and misfits one can’t help but fall in love with
Hallelujah: Leonard Cohen, A Journey, A Song Film review: The journey of a classic
A comprehensive look at the story of the song and what it represented for its writer Leonard Cohen and all those who sang it after him
Crimes of the Future Film review: A surgical shocker
Viggo Mortensen stars as Crash writer/director David Cronenberg returns to the body-horror genre, depicting a grisly future where surgery is the new sex
See How They Run film review: 'I can't remember the last time I laughed this much'
Dubbed a 'whodunit within a whodunit' See How They Run parodies Agatha Christie’s iconic play The Mousetrap
Three Thousand Years of Longing Film review: A magical mixture of fantasy and history
Mad Max writer-director-producer George Miller takes us on a crazily big and mad voyage with a touch of feminist flare to boot.
I Came By Film review: Graffiti warriors on the loose
Downton Abbey star Hugh Bonneville stars in this London-set thriller about two street artists' quest to get their own back on the city's wealthy elite
Beast film review: Well-intentioned but confused thriller set in the heart of South Africa
Beast often feels too contrived and preposterously overblown
Mr Malcolm’s List Film review: A beautifully acted comedy of errors
Freida Pinto shines in small budget adaptation of American writer Suzanne Allain’s 2009 self-published novel
Anais in Love Film review: An affair to forget in an engaging but overlong romantic comedy
A free-spirited young woman embarks on an whirlwind affair with an esteemed literary editor twice her age in French writer-director Charline Bourgeois-Tacquet's film
Fisherman’s Friends: One and All Film review: - the Shanty singers return
Unnecessary sequel sees the return of James Purefoy as taciturn band leader Jim and features an impressive turn from Irish rockabilly singer Imelda May as his love interest
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