John Nathan
Fun, but fairly pointless Rocky Horror wannabee
A shameless but possibly successful bid to achieve the cult status of the comedy horror film
Nachtland review: Is that a Hitler in the attic?
Maybenburg’s play warns the Shoah was not the end of German antisemitism
Wicked Little Letters review: A filthfest that’s too smug for its own good
An Enemy of the People: Question Time makeover for Ibsen’s classic play
Shoshana: ‘It’s not even-handed when it comes to depicting Jewish victims of violence’
Michael Winterbottom discusses his new film which tells the true story of a romance between a British police officer and a socialist Zionist writer in Mandatory Palestine
Inside the new show exploding myths about Cable Street
We meet the writer of a musical about the famous day in 1936 when the people of the East End united to stop the fascists from marching
Mum moves in, my back gives up
In a household where ages span 90 years, John Nathan’s the only man in the house
Theatre review: The Hills of California
This family reunion is great – but it’s no Jerusalem
Film review: Occupied City : Steve McQueen’s documentary on Amsterdam’s Shoah memories
The horrors of the past that lurk in the shadows
Theatre review: Plaza Suite: ‘A perfectly-formed play and Sarah-Jessica Parker is a revelation.’
Ticket prices are high but for fans of Neil Simon this is an unmissable revival
Film review: The Zone of Interest: ‘Hopefully it will win Oscars’
Capturing the ordinariness of atrocity
That’s Life! to a new Shoah fairy tale
Samantha Spiro who played Esther Rantzen in One Life is now the narrator in a new play about the Holocaust
The Holdovers review: A beautifully wrought comedy that took me back to 1970
Twenty years after Sideways, director Alexander Payne reunites with Oscar-nominated Paul Giamatti
Don’t Destroy Me, Arcola Theatre review: It’s hugely satisfying to see this lost-forever world of post-war Jewish Brixton revived
Tricia Thorns’s ambitious production vaults us powerfully back to a particular moment in Anglo-Jewish history
Kin at the National Theatre: This is a play that makes the case for Israel
Those who have bought into the narrative that the Jewish state is white and colonialist entity need to watch this show
Mean Girls review: What’s the point of the rehash? It’s hilarious
You’ve already seen the film, but Tina Fey’s version is so funny you never lose interest
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