John Nathan
Theatre Review: Glengarry Glen Ross
Circumstances added to the drama when John Nathan saw David Mamet's classic tale of salesmen
Theatre review: A Christmas Carol
John Nathan loved the Old Vic's seasonal offering...shame about the audience
Theatre review: Everybody's Talking About Jamie
John Nathan enjoys a witty new musical
Theatre review: The Retreat
Lack of back story makes for a disappointing comedy, says John Nathan
Theatre review: Young Marx
John Nathan enjoys a night at London's newest theatre
Theatre review: Albion
Playwrights are these days holding a mirror up to Britain as if it were a patient breathing its last
Theatre review: Young Frankenstein
Vulgar and sexist, but a monster hit of a musical.
Theatre review: My Name is Rachel Corrie
The controversial Gaza play lacks the complexity to portray the Israel-Palestinian conflict fairly
Theatre review: King Lear
John Nathan finds a message for our times in a modern dress King Lear
Theatre review: Wings
John Nathan reviews a play about a stroke victim
Theatre review: Oslo
John Nathan has high praise for an award-winning play, but there's an elephant in the theatre
Theatre review: Talk Radio
John Nathan on a disconcerting tale of a radio shock jock
Theatre review: Follies
John Nathan applauds a new production of Stephen Sondheim's Follies
Theatre review: Late Company
An "incredibly powerful" evening
Theatre review: Knives in Hens
There's nothing quite like a Yael Farber production, says John Nathan
Playwright J T Rogers: "I’m constantly aware I know nothing."
As the Broadway hit Oslo comes to London, John Nathan meets the man who put the 1993 Middle East peace talks on stage.
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