This celebrity-filled panto is showbiz at its showiest, says John Nathan
Masses of great material, but where's the story?
This show gives immersive theatre a bad name, says John Nathan
This panto needs more oomph says John Nathan
This musical tale of teenage angst and deception doesn't completely convince John Nathan
Miriam Margolyes is on superb form in this potential modern classic
Despite its age, the worry that makes this work a play for today is that of climate change, says John Nathan
Despite the performances, the play does not elevate above the mildly amusing, says John Nathan
This classic has an honesty that rejects every temptation to be sentimental, says John Nathan
This adaptation of Jane Austen's unfinished novel has a mind of its own
This drama is brimful of taboo - but lacks tension
The biggest moments in this musical are the smallest
The musical at the centre of the 'Jewface' row gets its Jews right, says our critic, but that still can't save the show
Alas, this family drama is just too stupid says John Nathan
Ghosts might make an entrance at any moment and the way a white sheet is used to confirm the racism of the householders’ past is priceless, says John Nathan
Identity politics come under the microscope in this production
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