John Nathan
Theatre review: White Noise
High praise for this examination of slavery's legacy
Theatre review: The Normal Heart
This gripping revival about the 1980s Aids crisis has enormous relevance today says John Nathan
Theatre review: Ida Rubinstein, The Final Act
There's too little drama in this play about a diva
Theatre review: Camp Siegfried
Patsy Ferran shines in this play about a Nazi youth camp - in America
“People say ‘Oh my goodness! Are you Jewish? We had no idea!'”
Felicity Kendal on her Jewish identity, her long career on screen and stage and her new role in Anything Goes… but there’s one subject she won’t touch
Theatre review: Indecent
This play about a taboo-breaking Yiddish play is outstanding, says John Nathan
When Joan Rivers met Barbra Streisand … reimagined
A new play recreates an early encounter between two Jewish legends
Theatre review: Frozen
This Disney adaptation is a wonder
Theatre Review: Once upon a time in Nazi occupied Tunisia
John Nathan admires a Middle-Eastern take on Jewish history
Theatre review: Cinderella
Hurray for a new version of an old favourite
Writing from fear
Josh Azouz's latest play focuses on the Nazi occupation of Tunisia. John Nathan met a playwright to watch.
Theatre review: Operation Mincemeat
An extraordinary episode from World War Two is the subject of a madcap musical
Theatre review: Joseph & the Amazing Technicolor Dreamcoat
Just sit back and enjoy this revival, says John Nathan
Theatre review: Anything Goes
A sparkling revival at the Barbican is a joy
Leopoldstadt returns: Patrick Marber interview
A few days before Tom Stoppard's play Leopoldstadt opened in 2020, the brother of director Patrick Marber died. The actors didn't know, he tells John Nathan, in an interview to mark the play's reopening this weekend.
Theatre review: The Two Character Play
Why was Tennessee Williams judged differently from his peers?
©2024 The Jewish Chronicle